Lo que el viento se llevo estreno en españa

gone with the waters

Gerald O’Hara(father, deceased) Ellen Robillard O’Hara(mother, deceased) Susan Elinor «Suellen» O’Hara Benteen(sister) Caroline Irene «Carreen» O’Hara(sister) Gerald O’Hara Jr.(names of his three siblings, all deceased) Spouse

During early drafts of the original novel, Mitchell referred to his heroine as «Pansy» (thought flower), and did not settle on the name «Scarlett» until just before the novel went to print.

In the film, Scarlett is somewhat more restrained and politically correct than in the novel. Margaret presented a Scarlett with a stronger character, somewhat more vain and not given to following social conventions.

There are several differences in details. In the movie, after being widowed for the first time, Scarlett goes directly to Atlanta while in the book, she first goes to Savannah to see her family on her mother’s side, but gets so bored that she decides to go to Atlanta. Once there, in the book it is told that at the party to raise funds for the war, it is Scarlett, and not Melanie, who has the initiative to donate her wedding ring (she gives it away because she is not interested in keeping it, Melanie sees in that a gesture of nobility and donates hers as well), while in the movie it is just the other way around: Melanie gives hers because it would serve Ashley more that way, and Scarlet not to be less, gives hers away as well.

gone with the wind full movie

And no wonder: Margaret Mitchell, with that work that had earned her the Pulitzer Prize, had managed to summarize almost all human sins: infidelity, homicide, rape, racism ….. And what happened to the lavish cinema that hosted the film?

Eugeni Osácar tells us about its fate: «The Windsor Palace kept its cinematographic activity until December 31, 1970, when it was decided to put an end to one of the most spectacular cinemas that the city of Barcelona has ever had. Unfortunately, the privileged location of the building meant that it was soon demolished to build a new building for office use, but it kept the name Windsor».

vivien leigh

Laurence Olivier met Leigh when he went to see a performance of The Mask of Virtue and they struck up a friendship when he complimented her on her performance. They began an affair during her performance in the role of lovers in the film Fire Over England (1937), but Olivier was still married to actress Jill Esmond.[30] During this period, Leigh read Margaret Mitchell’s novel Gone with the Wind and instructed her American agent to recommend it to David O. Selznick, who was planning a film version of the novel.[31] She remarked to a journalist, «I’ve cast myself as Scarlett O’Hara»; The Observer film critic C. A. Lejeune recalled a conversation from the same period in which Leigh «surprised us all» with the statement that Olivier «won’t play Rhett Butler, but I’ll be Scarlett O’Hara. Wait and see.»[32]

She starred opposite Robert Taylor, Lionel Barrymore and Maureen O’Sullivan in A Yank at Oxford (1938), which was the first of her films to receive attention in the United States. During production, she acquired a reputation as a difficult and unreasonable character, partly because she disliked her supporting role, but mainly because her petulant eccentricities seemed to work to her advantage.[36] Despite settling after threatening to sue over a frivolous incident, Korda told her manager to warn the actress that her contract would not be renewed if her behavior did not improve. Her next role was in Sidewalks of London (1938), opposite Charles Laughton.[37] In 1938.

vivien leighbritish actress

Gone with the Wind is a novel written by Margaret Mitchell and one of the best-selling books in history, a classic of American literature and is, along with its film adaptation, one of the greatest icons or myths of universal culture.

Margaret Mitchell wrote and published Gone with the Wind under the influence of her husband and friends. The author poured her extensive knowledge of history, her elders’ accounts of the Civil War and her own personal experiences of stormy relationships into the novel to create a masterpiece of world literature.

Mitchell drew on his encyclopedic knowledge of the Civil War and dramatic moments in his own life to write the play, using an old Remington typewriter. In 1929 with his ankle healed and most of the voluminous book written, Mitchell lost interest in his literary endeavors.

Even before the first edition was published, in May 1936, film producer David O. Selznick decided to purchase the rights to make a film based on the novel; despite his initial reluctance, Selznick followed the advice of his history editor Katherine (Kay) Brown, who had read a pre-publication copy of the work. Just days after the publication of that first edition, on July 6, 1936, Kay Brown (acting as Selznick’s representative) purchased the rights to make a film of the novel for $50,000, a record amount of money for the time.